#Digitech gsp5 review manual
#Digitech gsp5 review full

It has almost all the effects that were at the time, that is to say that, apart from very specific effects, it is full because there was nothing new since. So you'd better take my review with a pinch of salt. I must add something to my review: I'm not a true musician who practices intensively. I've used it for two years, I got a very good deal secondhand, so, to me, its value for money is excellent, even if not representative. That said, the pedal is intended to be used onstage, which I have never done. Very solid housing, but not very portable (it's heavy and big). Besides, I'm not a great electric (nor acoustic) guitar player. Often a bit too exaggerated for my taste, but that's a subjective appreciation, obviously. If you really need it, you can download it.

#Digitech gsp5 review manual

Regarding the manual: I haven't had the need to read the manual because, once again, it is really easy to use (at least for what I do, which is take the presets and modify them to my taste). It's really easy to use, you have direct access to the parameter groups via the buttons and you can edit the parameters with the wheel and cursor, it also has customizable memory presets. So I bought the GSP in 2101 after having had a pod, a Roland VG88 (sold ts 2) and briefly tried a Tonelab SE. I have not found a better system of matter, all-in-one-knowing-attack-or indifferently-receiver-table (all in two rack units to be pr cis, even if the crankset is part, but it is not essential, especially in the studio or rehearsal). The space / functionality ratio is not bad either. The sound comes out well in the mix, the Gnrale color is Russia, with a grain almost vintage to your rglages or so typ 80-90 years depending on the sounds and effects. They are not so numerous multi effects including a prampli quality lamp. The GSP is a machine which makes all terrain sacrs services. Please do not rely on the factory sounds, many rats. The really practical aspect of GSP in 2101 is the small simulation button on the XLR outputs: it activates a simulation that allows to connect with happiness on a console, or even on an amp other than guitar (amp keyboards, etc. Although the clean tube can crunch trsrussis Good clean sound.Ĭot distortion, the better my taste is 'saturated tube', which is really hot. Rverb beautiful, very beautiful delay, chorus Arian nice compressor, noise gate very effective, trmolo excellent, pretty average phaser. Not as simple as a, but the very versatile and rich variety sonorits shot. This marriage of the two technologies is very smart, it synthesizes many good musicians rigs.Īll in a 2U rack. Analog technology for compressor & qua & prampli (2 lamps) and for digital delays, rverb and others.